Guilty Creatures: Renaissance Poetry and the Ethics of Authorship
| Author | : | |
| Rating | : | 4.58 (552 Votes) |
| Asin | : | 0195397940 |
| Format Type | : | paperback |
| Number of Pages | : | 280 Pages |
| Publish Date | : | 2016-12-04 |
| Language | : | English |
DESCRIPTION:
This study examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors, Dennis Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Kezar explores the concept of authorial guilt elicited by violent representation in poems including Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's JuliusCaesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes. In each case, he reflects on the poetic process and explores the ethical ramifications for both author and audience. In emphasizing the social, literary, and historical consequences of 'killing poems,' this volume further advances scholarship in historicist and speech-act theories of the early modern period.
Kezar moves with considerable facility from the 'killing poems' that are his focus across the canon of English Renaissance literature, drawing in interpretative bits and pieces that elucidate and complicate his literary analyses."--Renaissance Quarterly"Demonstrates a deep and broad familiarity with each author's entire corpus a significant contribution to the study of Skelton, Spenser, Shakespeare, Dekker/Ford/Rowley, and Milton--no small feat."--Early Modern Literary Studies. "Suggests that Renaissance artists were often conscious of the potentially destructive powerof art, and that this self-consciousness shapes their work and understanding of their own social roles as artists. This attention to the 'responsibility for the other' provides us with a new understanding that brings us closer in sensibility to the early modern period than we have been in recent years." --Shakespeare Quarterly
Dennis Kezar is Associate Professor of English at the University of Utah. . Most recently, he edited Solon and Thespis: Law and Theater in Renaissance England (University of Notre Dame Press)
"Intelligent Literary Analysis of the Killing Poem" according to Michelle Llewellyn. This is a copy/paste from my Goodreads review.As a work of non-fiction, this close reading of several Renaissance poems, with some Shakespeare thrown in for good measure, is not for the feint of heart. Only the most serious student of old English literature will appreciate Dennis Kezar's analysis of what he terms the "killing poem" of Renaissance poetics which is critically emblemized here.Such poems and pla